I knew about Fairhope’s reputation as a haven for artists and writers before I visited last weekend. And Karin Wilson, owner of Page & Palette is known nationally as a passionate advocate for books and a generous host to thousands of authors through the years. So I felt right at home when I walked into the store and found my book prominently displayed.

I was lucky to have sister Susan Siniard traveling with me on this trip, and after our six hour drive, it didn’t take us long to find a great spot to rest and recuperate.

Sharing the stage with amazing Penguin sales rep and highly respected dynamo Doni Kay was a treat. It was my first time to talk about THIS IS NOT A DRILL because it won’t actually be published Oct. 25, but was released early to Page & Palette just in time for the festival.

And signing books is always fun for me – like giving my stories a little stamp of approval before sending them out into the world to do good things. Thanks to lovely niece and Mobile resident Margaret McDowell Miller for this photo (and for coming.)

It was great meeting Adam Gidwitz, whose book A TALE DARK AND GRIMM has just been chosen as Al Roker’s next book club pick. Adam’s smart and fun and had lots of terrific advice about writing and book promotion. (I know because I pounded him with questions.) Looking forward to seeing him on the Today show in November.

And I LOVED talking to Fairhope Middle Schoolers, who were an attentive audience with eager faces and intelligent questions. When I explained that my publisher, Penguin, sent a special box of books to Fairhope ahead of my publication date, one girl heard that without the commas and thought my publisher was actually a penguin – some rare breed known as a publisher penguin, I suppose. The picture in my head of a penguin packing a box of books made it a little hard to continue my presentation without giggling, but she was a good sport about the laughter her comment brought.

It was a great inaugural trip for THIS IS NOT A DRILL. Everyone in Fairhope is ridiculously friendly and there’s great shopping, eating, and relaxing by the bay. Can’t wait for my next chance to visit! If you’re anywhere near Page & Palette, you can snag a copy of THIS IS NOT A DRILL before anyone else in the country, so hurry on down to one of the South’s best indie bookstores.

Thanks for all your questions and comments about THIS IS NOT A DRILL, my upcoming YA debut novel (Oct. 25, 2012) from Nancy Paulsen Books of Penguin Group. In an industry that’s slow as continental drift, my path to publication was a zipline ride. I sailed from query to agent to first offer in two days, and thanks to the amazing Jill Corcoran, the powerhouse of energy who is now my agent, I landed with one of the most respected editors in the business within two weeks of submission. Here’s a quick run-down of what happened last summer (starting July 7) :

Thursday: After a year of writing and revising my novel, I held my breath and hit “Send,” submitting to my top 7 agent picks on 7-7 (a winning combination, I hoped.) Jill Corcoran of Herman Agency requested the full manuscript within an HOUR of receiving my query letter and sample pages.

Friday: I woke to a note from Jill (written 1:30 am her time) - she was “absolutely loving” the book and had trouble putting it down to sleep. By noon she emailed me offering representation; she said she knew I had the work still out with several other agents, but she wanted to sign me if I was ready to say yes. I paused my happy dance just long enough to type “yes.” Jill has an English degree from Stanford and an MBA in Finance and Marketing from the University of Chicago. She’s not only worked in advertising, but teaches writing workshops and writes books of her own. I knew she’d understand the bumps in the writing road and could guide me through the marketing maze, too. She sent me a contract, and I emailed the other agents I’d queried that I’d accepted representation so they wouldn’t spend time reading my work.

Saturday: Jill and I talked by email, and I tried not to obsess over my new agent. She friended me on Facebook and I followed her on Twitter, loving all the glowing comments from her clients.

Sunday: Jill emailed me that she felt THIS IS NOT A DRILL was ready to go out without further revisions (amazing!), and she’d be submitting it to editors THE NEXT DAY! I was elated – and terrified.

Monday: Jill sent me a list of the editors she’d subbed to, and I tried not to freak out. I cleaned house all day to keep from going mad and went to bed that night with my head clogged from dust I’d stirred up.

Tuesday: I googled Jill’s clients, googled each editor on the list, googled my name to see what editors would find, and finally got in the car and left the house to stop the googling madness.

Wednesday: Jill called. I loved her sense of humor about her kids and her cat, and her competence and knowledge base were obvious. We chatted and hung up. She called back an hour later. I was surprised. “Did you just hang up on me?” she said. “I hope not, ‘cause I have some of the biggest news of your life.” I explained that my phone didn’t even ring, we’d been having trouble with our cell carrier, and I was so sorry if she - WAIT, did you say you had NEWS? “We have an offer coming in!” she said. I tried to listen from my spot on the ceiling, but thank God I wrote it all down ‘cause I was WAY too excited to really hear what she said.

Within days there were multiple offers and I was in the wildly unanticipated position of choosing the editor I felt was the best fit for my book. When I signed with Nancy Paulsen at Penguin, I felt Velveteen Rabbit “real” as a writer.

Hold on a second! Before any of you throw erasers at the screen, there’s something you should know. All this happened fast, but I am no overnight success – not this girl. My whirlwind week came after five years of writing, one shelved manuscript with about 25 rejection slips tucked inside, another agent who unsuccessfully submitted another book of mine (ON the day that became known as Black Wednesday in the publishing world - could there BE any rottener luck?), lots of broken plates in my backyard (my secret catharsis), six weekend writing conferences from Nashville to LA, and hours, days, weeks, months and years of studying the craft through books, articles, blogs, and websites on writing - not to mention countless novels I picked apart to figure out what worked and what didn’t.

There, feel better? If you’re interested in writing for publication, read books on how to write (like Stephen King’s ON WRITING , Anne Lamott’s BIRD BY BIRD, and AnnIe Dilard’s THE WRITING LIFE, my faves), study books in your genre, read blogs like Jill’s and Nathan Bransford’s and Kristin Nelson’s to learn about queries and agents and opening pages and point of view, and write every day to improve your style and voice. (How do you learn to play tennis? Play a lot. How do you learn to write? Write - a lot.) The secret is and always has been: butt in chair, fingers on keys.

The good news is persistence pays off. Keep reading, keep honing your craft, keep believing, and if you work hard enough and learn from your mistakes, something good will happen. I can’t wait to hear YOUR story when it does.